Dead City Lullabies - Original Line Art For Sale

It is with great excitement that I announce the first lot of original line art for sale, from the first issue of Dead City Lullabies.

Now available to purchase are the original line art pages of the Prologue, being the first 8 pages of the DCL graphic novel saga.

These pages were drawn on fine quality Fabriano White-White 300 GSM paper with black ballpoint pen. Prices range from AUD$150 - AUD$300.

 To be clear, these are ORIGINALS ONLY - unique hand-drawn pieces. If you collect original comic art or you're a fan of my work, any of these pages would be a lovely investment for your collection. :)

 I will mail these works flat in a sturdy, protective A3 mailer, anywhere in the world. Shipping and packaging rates are basically $15 for Australia, and $30 for the rest of the world.

Visit my online store to view and purchase these works.

Your interest, and support, as always, are deeply appreciated.

Stay tuned for Issue #2 of Dead City Lullabies - release date will be announced real soon! And don’t forget to follow the Substack, if you haven’t already :)

 x Aidan, 19 January 2023

Dead City Lullabies - archival quality Giclee cover art prints now available!

With the impending release of the very first issue of Dead City Lullabies this Friday 25th November 2022 on the DCL SUBSTACK, I have some super exciting stuff to offer up. Let us begin…. now.

As the first item for sale on my online print store, I have these beautiful archival giclee prints featuring three variants of the cover art for Chapter One Issue #1!

There are only 10 of each variant available - and each comes hand numbered and signed.

Printed on gorgeous 310gsm Ilford Galerie textured cotton rag, they’re A3 size, with a white border (where the edition number and signature will live). The variants are blue/teal (which is what the cover art actually is), salmon, and violet. Each print is AUD$50, plus postage and handling. AUD$15 for shipping to Australia, and variable/a little exxy unfortunately, for overseas.

You better be quick if you want to grab one of these! Just go to my print store and push the buttons.

There will be many prints and one-off original art items for sale to celebrate DCL as it unfolds, so please stay tuned! And of course, head on over to the Substack and subscribe, ok? IT’S FREE.

As always, appreciate your support more than you know.

x Aidan

22 November 2022

MAGIC KINGDOM: The comic that never was

Language & Content Warning:

There’s some swear words and pretty dark themes in the script that follows. Not necessarily in the artwork, that’s pretty safe. But just to warn you - it’s not for kiddies. Thanks.


Welcome!

Today I want to share something with you - a one-shot comic that I started, but never finished. It was inspired by my re-discovery of the existence of Magic Kingdom, an abandoned fun park in Western Sydney. My best mate Liam sent me a Youtube video of this 30-second tv commercial, featuring Pilot’s iconic song ‘Magic’. I had completely forgotten that this ever existed, and the memory-jog was intense.

Much has already been written and documented about Magic Kingdom, so I won’t go into the history of it here. For sure the most eloquently observed and fascinating exploration of this eerie place is this excellent blog piece by Vanessa Berry of Mirror Sydney (which served as the primary source of detail for the layout of the place, as I’ve never actually braved a visit myself).

The nucleus of this comic is my childhood memory of that TVC - specifically, at 0:11, the fleeting image of a tall, dark spaceman patting a kid on the head (and later, encouraging them to jump higher on the trampoline). I always thought that the fun park itself looked utterly underwhelming - but for some reason I was very much drawn to that space man. I wanted to go there just to see him.

The space man at 0:11 who so haunts my memory.

Over the last several years, I’ve drawn pictures of this character, made up elaborate practical jokes involving a proposed re-creation of the costume, even mused about the idea of trying to track down the original performer, to see if he somehow still has this bulbous helmet gathering dust somewhere. It would be something of a circular freak-out to be able see that thing in the flesh, all these years later…

So in the end, I decided to make a comic out of the character, and the setting of the land itself (which is still yet to be developed) - the decaying husk of Magic Kingdom. I started, but never got much further than introducing the girl and the spaceman and the park.

So what I’m going to show you now is the comic up to where it stalled - the unfinished page 9 where our heroine is taking a trip down the infamous yellow slide.

Below, I’m also posting the original rough script I’d laid out for the comic. I actually have almost no memory of writing this - and it has some pretty wild ideas in it. It probably would make a pretty good little Australian horror story. But for now, it lies dormant. Just like the park itself.

Will I ever finish it? Who knows. Never believe it’s not so.

Enjoy!

x Aidan, June 2022

Magic Kingdom Comic - Rough Script Draft NOV 2016

(Throughout, little details of decaying signs, advertising, warnings..)

Page 1:

  1. “Lansvale, Sydney, present day”

  2. Sun rises on the vacant lot, a derelict gateway

  3. Derelict entrance - “have you..”

  4. Empty field with refuse, a figure

  5. closer, we see it’s the Spaceman

Page 2:

  1. Spaceman walking through the tall grass

  2. Stops to regard the giant decaying slide

  3. Fleeting 80’s memory of slide in action

  4. He moves to the side, the Ginger Meggs wall. The ghosts of dancers in hula costumes

Page 3:

  1. A snake slithers through rust

  2. Spaceman is sitting on the humpty dumpy slide, watches the snake

  3. Snake goes away

  4. rotting paddlewheelers in the swamp

  5. Fleeting image of fun on lake in the 80s

  6. Close up of his face

Page 4:

  1. He walks through weeds and refuse toward the Boot

  2. Stands before the Boot. The mist blows across the grass.

  3. Distant shot of the Boot across the lake

  4. Same angle, flashback with full rides and people etc

  5. Spaceman alone again, staring into the lake

  6. Foreground; we see a girl with a backpack and camera, standing on a rusting merry-go-round

Page 5:

  1. Back in a field, Spaceman walks toward the derelict racetrack viewing platform

  2. Climbs the stairs

  3. Stares at the vacant racetrack

  4. Close-up of his “face”

Page 5:

  1. From the other side of the field, we see a girl with a backpack and camera

  2. Closer, she squints

  3. She takes a photo - chik!

  4. Spaceman turns his head to stare at the girl.

  5. She freezes.

Page 6:

  1. Spaceman raises his hands to the air, as if “summoning” some higher power.

  2. Flash panel of rapid images of the park in its heyday.

Page 7:

  1. In a fog of sparkling blue light, Spaceman dissolves into thin air.

Page 8:

  1. The platform is empty. The abandoned park is quiet. The wind blows. A faint blur luminescence remains where he was on the platform.

  2. The girl’s face: can hardly believe what she’s just seen.

  3. Distant shot of the girl alone in the field..

MAGIC KINGDOM

Scene 2:

She’s running out of the park and runs into some creepy suits. They warn her she’s trespassing. Stare at her for a while. “I’m just going to order an Uber”

Scene 3:

Abigail, at the kitchen table while her Dad cooks.

  • Dad

  • Yes darling

  • Do you remember Magic Kingdom?

  • Ha. That shithole in Lansvale? Absolutely. That’s not where you’ve been hanging out with your camera is it?

  • I went there the other day

  • You wanna be careful in there baby - it’s condemned. Someone owns the land. You’re trespassing really.

  • Dad it’s cool

  • And there’s snakes and shit in there - bloody come out poisoned.

  • I’ll be careful

  • Just don’t go there

  • Did you ever go there? When it was open?

  • Oh shit yeah. When we were teenagers we always went there. I took your Mum once actually.

  • Do you remember the guys in suits?

  • What, Batman and Robin and all them? Dickheads

  • No there were other guys - a spaceman

  • Look it up in Youtube - there’s probably something on there, show you what it was like. In its “glory days”

  • Yeah

  • Stay away from that place, Abbie.

  • Ok Dad

Scene 4:

Abigail in school in Liverpool. In the corridor she tells her friend, shows her a picture on the camera. Oh my god is that a ghost?

Not a ghost. I think it’s a man, but he was doing something really freaky. I’m gonna go back there.

Don’t go back there, what if you get raped by junkies?

Don’t be stupid.

Scene 5:

Abigail goes back at dusk. She is looking for the blue light. There’s some creeps there, teenage pricks. They’re smoking bongs and drinking. They confront her, circle her.

Offer her a cigarette. No thanks.

One of them asks if he can touch her breasts.

If you touch me I’ll scream, you fucking prick.

He advances on her. Scream all you want, bit-

He is suddenly, inextricably, wrenched out of sight and screams horribly.

The others are terrified. They yell his name, and flee.

Abigail is left alone, terrified, frozen.

Slowly the Spaceman appears out of the shadows, stares at her.

  • Did you - did you - kill him?

The Spaceman speaks:

  • You..mustn’t..tell..

  • I - won’t.

  • Silent..you must stay..silent.

  • I won’t tell, I promise. Please don’t hurt me.

  • I..will not...hurt you...Abigail..you..are...safe now. I won’t let anything happen to you ever again.

He vanishes.

Scene 6:

Abigail running away. She waves down a car. A woman pulls up, a kindly woman. You alright sweetie? Look like ya seen a bloody ghost. Abigail gets in.

Scene 7:

Abigail’s Dad is watching TV. She comes in the door.

  • hey. Where you been? Everything ok?

  • Just at Kira’s. Sorry Dad. Already ate.

  • You wanna watch Biggest Loser?

  • Nah. I’m gonna read or something Dad.

  • Alright baby.

  • Night, Dad.

  • Night, Bub

Scene 8:

Abigail lying awake, watching YouTube. It’s the Magic Kingdom trailer. She pauses on the Spaceman shots (trampoline, then the “characters” moment).

Scene 9:

In the field near the Racetrack, we see the derelict spectator stand. Hovering above it, naked, is the thug who was threatening to assault Abigail. He is wide-eyed, terrified.

He’s hovering in a cloud of the weird blue-white luminescence we saw in the opening sequence.

Circling around him, swimming through mid-air like eels, are several menacing black snakes.

Close-up on his face: he whimpers... please... let me go...

(Eventually there’ll be a scene where Abigail and the cops looking for the kid end up in a triangle with the Spaceman and his “prize”. Abigail asks him not to kill the kid; the cops are threatening to shoot the Spaceman, though they’re freaked out. Spaceman will be torn between his apparent love for Abigail, and his need for vengeance/punishment, and to protect his own anonymity. Who does he attack/save?)

What is this, Phantom of the Opera? Lol

What a stupid idea

DCL Poster concept (2019)

DCL Poster Concept - from rough sketch to finished ink drawing

I meant to post this a long time ago, and thought I would do so now. Better late than never!

Here is a medium-size ink drawing for a poster concept for The Dead City Lullabies. It was a very slow and careful process to create this drawing, and I’m still really happy with it. The final piece measures about 75cm x 54cm.

DCL Concept Ink.jpg


The process was as follows:

1. As always, a couple of very rough thumbnails to nut out the composition…

1. As always, a couple of very rough thumbnails to nut out the composition…

2. Next, I created a photo-bashed mockup in Photoshop (using elements from old drawings of mine, and some reference imagery), then printed that onto several A4 sheets and stuck it all together on top of a lightbox.

2. Next, I created a photo-bashed mockup in Photoshop (using elements from old drawings of mine, and some reference imagery), then printed that onto several A4 sheets and stuck it all together on top of a lightbox.

3. Laying out the mock-up on the lightbox.

3. Laying out the mock-up on the lightbox.

4. Tracing the main shapes onto the art paper…

4. Tracing the main shapes onto the art paper…

5. The finished tracing.

5. The finished tracing.

Photo 19-10-18, 7 56 44 am.jpg

(note: this dude on the right never made it to the final ink drawing… wonder why? I honestly don’t remember why I scrapped him. Maybe it threw the composition out a bit…)

6. Commencing the process of inking. I use my mockup printouts for reference as I go…

6. Commencing the process of inking. I use my mockup printouts for reference as I go…

7. A full day’s work up until this point, about 8 hours…

7. A full day’s work up until this point, about 8 hours…

8. Another full day’s work, and it’s nearly done. But now I think I need to expand the bottom half a bit. Because of the “widescreen” frame of the sky that I chose for the composition, it now looks a bit top-heavy with all those hatch marks, and the…

8. Another full day’s work, and it’s nearly done. But now I think I need to expand the bottom half a bit. Because of the “widescreen” frame of the sky that I chose for the composition, it now looks a bit top-heavy with all those hatch marks, and the rock work looks like it spills out of the frame. Like, crazily. So….

9. I take a photo of the drawing as-is, and then do some work in Procreate on the iPad to mock up how I can extend that frame downwards in a satisfying way, to balance it out again. Once I’m happy with how that’ll look, I go back to the inks…

9. I take a photo of the drawing as-is, and then do some work in Procreate on the iPad to mock up how I can extend that frame downwards in a satisfying way, to balance it out again. Once I’m happy with how that’ll look, I go back to the inks…

10. Dammit! My finger had a bit of india ink on it, and I smeared the beautiful white paper just below the border. I thought of using that area as the signature block, but the positioning was stupid. So, I very carefully scraped away the ink with a …

10. Dammit! My finger had a bit of india ink on it, and I smeared the beautiful white paper just below the border. I thought of using that area as the signature block, but the positioning was stupid. So, I very carefully scraped away the ink with a super-hard hi-polymer eraser. You’d have to look closely on the final piece to notice anything amiss. A lesson: keep your hands clean, and use a scrap of paper to rest your hand on while you do delicate ink work!

11. And that’s the final image. Not sure if it’ll be used for the graphic novel itself, but it’s a cool concept piece. And I’ll probably either frame it or sell it (or both!) at some point.

11. And that’s the final image. Not sure if it’ll be used for the graphic novel itself, but it’s a cool concept piece. And I’ll probably either frame it or sell it (or both!) at some point.

Thanks for reading, as always.

x A